ARCHITECTURE LANDSCAPE IN TUSCANY_WORKSHOP_2019

About

ARCHITECTURE LANDSCAPE

IN TUSCANY

Thematic series – 11st edition workshop in ITALY

[EN]

FROM GIOTTO to Calatrava… or just FROM GIOTTO… this is how we should call the open dialogue that analyzes the perception of the architectural object in context – from the scale of the report, to the adapted, integrated one… in the contemporary. A study that analyzes the adaptive language of architecture, A COMPARATIVE ANALYSIS OF THE EVOLUTION OF THE POSITION OF THE OBJECT OF ARCHITECTURE. A ROAD through the architecture of Northern Italy, which traverses complex spatialities pre-configured in the Romanesque period, complex transposed from the Renaissance and Baroque, correlated with the sculptural spatiality of the contemporary period. IT IS A ROAD THAT ANALYZES THE OBJECT OF ARCHITECTURE IN RELATION TO URBAN SPATIALITY and the relationship between them. A discourse that positions in dialogue the architectural determinations and the morphology of the urban fabric. A question… how do we perceive the object of architecture? what are the elements that persist after a first perception, how does built spatiality and free space compete? A LOOK AT THE EVOLUTION OF ARCHITECTURE, in northern Italy, an in situ studio, of the original vocabulary, a comparative analysis that starts from the Romanesque architecture and reaches the exuberance of the baroque or the sculpturality of the contemporary object. A SPEECH about repetitive elements, about time and layers, about compositions and growths, inclusions and subtractions. It is a workshop that starts from the architectural representations of Giotto’s paintings, passes through the modular language of Andrea Palladio, through the sculptural language of the Baroque and finally reaches the language camouflaged by Bernardo Buontalenti in the gardens of Palazo Pitti in Florence or the contemporary adaptive of those de al Archea Associati in Chianti sau Calatrava in Regio Emmilia.

* full workshop description, program, activities and results are available for participants only

[RO]

DE LA GIOTTO la Calatrava… sau doar DE LA GIOTTO… asa ar trebui sa intitulam dialogul deschis care analizeaza perceptia obiectului arhitectural in context – de la scara de raport, la cea adaptata, integrata… in contemporan. Un studiu care analizeaza limbajul adaptiv al arhitecturii, O ANALIZA COMPARATA A EVOLUTIEI POZITIEI OBIECTULUI DE ARHITECTURA. UN DRUM prin arhitectura Italiei de Nord, care parcurge spatialitati complexe pre-configurate in perioada romanica, transpuse complex din renastere si baroc, corelate spatialitatii sculpturale din perioada contemporana. ESTE UN DRUM CARE ANALIZEAZA OBIECTUL DE ARHITECTURA IN RELATIE CU SPATIALITATEA URBANA si relatiile de raport dintre acestea. Un discurs care pozitioneaza in dialog determinarile arhitecturale si morfologia tesutului urban. O intrebare… cum percepem obiectul de arhitectura ? care sunt elementele care persista dupa o prima perceptie, cum concureaza spatialitatea construita si spatiul liber ? O PRIVIRE ASUPRA EVOLUTIEI ARHITECTURII, in nordul Italiei, un studio in situ, al vocabularului originar, o analiza comparata care pleaca de la arhitectura romanica si ajunge la exuberanta barocului sau la sculpturalitatea obiectului contemporan. Un DISCURS despre elemente repetitive, despre timp si straturi, despre alcatuiri si cresteri, incluziuni si sustrageri. Este un workshop care porneste de la reprezentarile arhitecturale din picturile lui Giotto, trece prin limbajul modular al lui Andrea Palladio, prin limbajul sculptural al Barocului si ajunge ultim la limbajul camuflat de Bernardo Buontalenti in gradinile din Palazo Pitti in Florenta sau cel adaptiv contemporan al celor de al Archea Associati in Chianti sau Calatrava in Regio Emmilia.

* descrierea completă a atelierului, programul, activitățile și rezultatele sunt disponibile exclusiv participanților

Program

VICENZA. TT1 > Palazzo Barbarano – Palladio Museum, Piazza dei Signori, Teatro Olimpico, OT1 > Palladio tour: Palazzo Thiene Bonin Longare, Palazzo Porto Breganze, Palazzo Piovin, Chiesa di San Filippo Neri, Palazzo Braschi, Palazzo Pojana, Palazzo Trissino Baston (Vincenzo Scamozzi), Palazzo Caldogno da Schio- “Ca’ d’Oro”-, Palazzo Thiene, Palazzo Valmarano Salvi (Vincenzo Scamozzi), Palazzo Da Monte Migliorini, Palazzo Leone Montanari, Casa Cogollo, Palazzo Chiericati. FIRENZE. TT2 > Piazza del Duomo/ Duomo – Santa Maria del Fiore, Piazza di San Giovanni/ Baptistery, OT2 > Palazzo Pitti- Corridoio Vasariano,  Giardino di Boboli, Basilica di San Lorenzo  – Capella Medici, Santa Maria Novella, Basilica di Santa Croce, Ospedale degli Innocenti. TT3 > Piazza della Signoria, Palazzo della Signoria, Loggia dei Lanzi, Galleria degli Uffizi, Ponte Vecchio. CHIANTI / SAN GIMIGNANO, TT4 > Cantina Antinori, TT5 > Piazza della Cisterna, Piazza Duomo, Torre Grossa, Torre della Rognosa,  Torre Cugnanesi,  Torre del Diabolo, Torri degli Ardinghelli, Torri dei Salvucci, Torre Chigi, Torre Pettini. SIENA / PISA / LUCCA. TT6 > Duomo, Piazza del Duomo, Battistero di San Giovanni, Campo, TT7 > Campo dei Miracoli, Duomo,  OT3 > Camposanto Monumentale, Baprtiserio, TT* > Piazza dell’Anfiteatro, Duomo di San Martino, San Michele in Foro, Palazzo Ducale, OT* > Basilica of San Frediano, Palazzo Pfanner, Clock Tower, Guinigi Tower. CINQUE TERRE / REGGIO EMILIA. TT7 > Monterosso al Mare, Vernazza, Corniglia,  OT4 > Riomaggiore, Manarola, TT8 > Piazza Prampolini, Cathedrale, Reggio Emilia Stazione Mediopadana. MODENA / PADOVA. TT9 > Centro storico, Museo Enzo Ferrari Modena, TT10 > Capella degli Scrovegni, Piazza dei Signori, OT5 > Palazzo della Ragione, Prato della Valle, Ghetto Ebraico,  Caffe Pedrocchi.

photography by Ana Maria Crisan © 2019 for Culture Reserve